Please read chapter 10. After reading the chapter, please respond to the following questions:
Next you will be asked what three things from the chapter that you found interesting?
1a) What did you find interesting?
1b) Why was it interesting to you?
2a) What did you find interesting?
2b) Why was it interesting to you?
3a) What did you find interesting?
3b) Why was it interesting to you?
4a) What one (1) thing did you find the least interesting?
4b) Why wasn't it interesting to you?
5) What did you read in the chapter that you think will be most useful to in understanding Sensation / Perception?
6) How, in what ways, does this chapter relate (build on) to the previous chapters?
7a) What topic would you like to learn more about?
7b) Why?
8) What ideas related to what you were reading (what did you think about) did you have while reading the chapter?
9) Once you are done with your post make list of the terms and terminology you used in your post.
Thanks,
--Dr. M
Near the beginning of the chapter there was a section I found interesting that discussed interaural time difference, ITD. This was interesting because it never occurred to me how the location of the sound that we hear. However, almost immediately I accurately turn my head in the direction of the sound that I hear. If I would have thought about it, the idea that we can tell the direction is perplexing because we hear in both ears. This is where ITD comes into play, basically the sound comes to the ear closest first then travels to the other ear. This enables an individual to detect the location of sound fairly accurately. There is a term used to describe the locations called azimuth. The text showed an imaginary circle or the area around us, azimuth describes the locations on this imaginary circle by measuring the location in degrees to which ear the sound will reach first. Although it gets very complex it was interesting to see how this function works in detail.
The text went on to discuss cones of confusion. The text describes it as the regions of positions in space where all sounds produce the same time and level differences. Previously ITD states that I am able to tell the location of the sound by where it is located and will generally physically turn that way correctly most of the time. Cone of confusion is those times when I am either wrong or unsure of the direction from which the sound is located. The text also refers to cones of confusion as perceptual phenomena. People move their heads fairly frequently and as so as this occurs, the ITD and the ILD (Interaural level of difference) shifts. Because of the movement this is one reason why the cones of confusion do not become a major issue with locating the source of sound.
The third section I found interesting was the section on auditory scene analysis. This section discussed how most of the time there are many sounds occurring at once in any given situation. With our sight we have the ability to avert our eyes to keep from seeing all the things around us at a given time. This is not as easily done with sound, because as the text states no matter how we turn our heads we still hear the sounds around us. As I sit hear studying, I can hear the noise of the keyboards, the people talking in the next room, my chair squeaking, and the music I am listening to at the moment. The setion went on to discuss the different strategies the auditory system uses to separate sound sources. The first is spatial separation between sounds. This is that a sound that seems to move in space is easily separated from background sounds that seem to stay the same. This enables us to distinguish and to sort sounds from each other. I found this interesting because as I thought about what I hear it seems that it should be terribly hard to function and it is amazing that our brains have these abilities to counteract the situation.
The part that I found least interesting was the section that went on to discuss distinguishing sounds by timbre or tones and grouping by onset. I think these were interesting but because they get more technical it gets kind of boring at least for me. The interesting part was how the Rolling stones used the grouping by onset to create a unique sound for their band. However I have been at some elementary band concerts that also used this method although not intentionally and definitely not with the same results.
I think the section that discussed how we differentiate sounds in situations will be most helpful. The reason being that it is important to understand how with all of the noise bombarding us how the brain is able to assist in helping us section the sounds off and categorize them to enable us to make sense of the sound around us.
This chapter builds on the previous in that chapter 9 discussed the biology and mechanics of the ear. While chapter 10 then builds on the mechanics of hearing and goes into how those mechanics are used and how the brain aids us in organizing hearing.
I think I would like to learn more about interaual time difference. It seems like it is pretty complex but I found it very interesting. This is a topic that I think I might try to find a video that shows how this works.
As I read the chapter I had a hard time focusing on the text because I kept noticing the different sounds around me. I kept thinking about the tones and how they affected me how accurately I could distinguish where they came from.
Terms: interaural time difference, azimuth, cones of confusion, sound, hear, interaural level of difference, auditory scene analysis, auditory system, spaital separation, timbre
1a) Interaural Level of Difference
1b) As simple as this term is I thought it was pretty cool. This term means that the ear that is closest to sound source hears the sound louder than the ear that is farther away. This is because the head partially blocks the sound wave as it enters the other ear. I found this interesting because I think that the way that sound waves work is interesting. This term was simple which made it more a “duh” moment than anything which I think is what made it so cool to me.
2a) Cone of confusion
2b) Not going to lie, what caught me was the term name. It sounds more like a carnival ride than a term for sensation and perception. What I learned about this was that the cone of confusion is basically an area that does not allow you to know exactly where a sound is coming from. The widest and biggest cone is from in front of your face and extends all the way to the top of your head, behind your head, all the way underneath your feet. This is interesting because of the phenomena that it entails. Just a slight tilt of the head can completely change the placement of the sound that you can detect.
3a) When sounds become familiar
3b) When you have heard a sound before it is easier to pick it out of a group of sounds even when the background noises make it confusing. An example that the book used was a person saying your name. You recognize that fairly quickly because it is a sound that is incredibly familiar to you, and it is easy for you to pick out even in a loud crowded room. Also, once you have heard a sound a few times, it becomes easier for you to recognize. I found this interesting because my name sounds like a lot of other things as well. The name “Meg,” as well as other names I’m sure, sound a lot like other things also. I have responded to, “Nate,” “Hey,” and my personal favorite “Renae” which is my dog’s name.
4a) Fundamental Frequency
4b) This is the lowest frequency of the harmonic spectrum. Harmonic sounds are some of the most common sounds in the environment and include the human voice and musical instruments. I found this the least interesting because I am not a huge fan of frequency.
5) I think something that will be very important from chapter ten was the section about complex sounds. Understanding the different complex sounds will help us later with identification of other types of frequency.
6) This chapter continued the understanding of hearing and the perception that we have when we sense things in an auditory fashion. This chapter continued that discussion from chapter nine.
7a) Sounds becoming familiar
7b) I really think that this is interesting and would like to know why, if we know, this occurs.
8) While reading this, I was extremely distracted by students in a nearby study room who were making quite a bit of noise. It was hard for me to concentrate. And reading this chapter helped me understand why that was occurring.
9) Key Terms: Interaural level of difference, ear, sound source, sound wave, cone of confusion, sound, noises, recognize, fundamental frequency, harmonic spectrum, harmonic sounds, complex sounds, auditory
1A) The interaural time difference
1B) I was surprised and interested to learn that the time difference between a sound coming to the left ear first and then the right allows us to know the position of the sound to within one degree. This is especially interesting since the experience of separate sounds coming from different places are interpreted based upon the size of the head. For a baby,with a growing head, his sound localization abilities decline as his head grows.
2A) Pinnae and sound frequecies
2B) The shape of the pinna in a person’s ear is complex with nooks and crannies. These pinnae funnel sound energy into the ear canal, but funnel some frequencies more efficiently than other, based upon the shapes of the pinnae. The size and shape of the upper torso also affects which frequencies enter the ear most easily. These two variables give us another cue as the location of the sound source.
3A) Timbre quality
3B) A listener can judge that two sounds with the same loudness and pitch are in fact dissimilar depending on harmonics and other high frequencies. In the same way that perception of color relates to levels of energy at different wavelengths, perception of timbre relates ot the energy of acoustic spectral components. This is what allows us to distinguish between the same note from two different musical instruments and between different vowel sounds.
4A) Auditory Distance Perception
4B) Judging the distance between a lister and the sound source depends upon the relative intensity of the sound. Intensity decreases with distance – an obvious concept. Because the intensity measure decreases as distance increases, we must apply the inverse square law. This doesn’t seem all that interesting to me at the moment. It could become interesting if this was able to help determine where a gunshot came from.
5) Auditory Scene Analysis is important to an understanding of perception because the ability to segregate the sources of multiple sounds in the environment is essential to an understanding of elements that are stationary as opposed to elements that are moving, elements that are dangerous as opposed to the ordinary.
6) Chapter 10’s explanations of the use of sound source information builds on the physical characteristics of the ear in Chapter 9, bringing the sensation of hearing to everyday life and helping to explain why location and timbre are important to understanding our social environment.
7A) Sound localization
7B) I am curious about how our ears and brains are able to distinguish the source of sound in a reliable way.
8) As I read this chapter, I was aware of the silence in the house around me, broken by the sound of the keyboard and the occasional birdsong outside. I thought about becoming more aware of sound in the environment and its impact on concentration and focus.
9) Terms: interaural time difference, sound localization, pinnae, frequency, auditory scene analysis, perception, timbre, sound segregation, auditory distance perception, intensity
1a) What did you find interesting?
1b) Why was it interesting to you?
The first thing that I found interesting throughout chapter 10 was auditory localization, or sound localization. This concept opens up the chapter with an example of how when we are outside in the dark and hear something such as an owl hooting we can often find the owl without even seeing it but just by following the sound alone. The book explains that the theory of auditory localization is much different from that of visual object localization. If you could see the owl it would be simple to know if it was to your left or right; but not being able to see it and only determining its location by its sound is extremely interesting to me. I find this so interesting because it is a resource that we use very often. When we are outside and someone yells "over here" or when we hear sirens coming from somewhere when we are driving and need to quickly locate them even if they weren't yet in our visual field. sound localization is extremely interesting and useful.
2a) What did you find interesting?
2b) Why was it interesting to you?
The next thing I found to be interesting in chapter 10 would be ILD or interaural level difference. The book defines this as the difference in level (intensity) between a sound arriving at one ear versus the other ear. I found this interesting because it is a cue to sound localization. Sounds are more intense at the ear closer to the sound source because the head partially blocks the sound pressure wave from reaching the opposite ear. I think this was interesting to read about because it is something that occurs often but I never fully understood why. Sometimes when I hear something very loud it hurts one ear more than the other ear and I wasn't ever sure why; your ears aren't far apart but the noise can effect the ears differently and things can sound differently in each ear. This reminds me of when I am listening to music with ear buds in and one of them isn't working or falls out the sound I hear overall is completely different when I only hear it through one of the ear buds versus both.
3a) What did you find interesting?
3b) Why was it interesting to you?
The next thing I found to be very interesting in chapter 10 is the process of attack and decay; attack the part of a sound during which amplitude increases or the onset of when you hear something is interesting because it is way in which a sound approaches our auditory system, it depends on the amount of vibrations and how strong they are; which changes or creates the sound we hear. And the decay, the part of a sound during which amplitude decreases or the offset is interesting to me because this determines how long the sound stays with us. If a sound is very loud it may have long vibrations which may ring in our auditory system for much longer than other sounds with shorter vibrations may.
4a) What one (1) thing did you find the least interesting?
4b) Why wasn't it interesting to you?
I didn't find all of the information on the different harmonic frequencies very interesting; it was confusing to understand and boring to read about. The timbre which is the psychological sensation by which a listener can judge that two sounds with the same loudness and pitch are dissimilar. Timbre quality is conveyed by harmonics and other high frequencies. I feel like this could be a much more interesting process to learn about but while reading it in the book I wasn't interested in it at all.
5) What did you read in the chapter that you think will be most useful to in understanding Sensation / Perception?
I think that the overall theme of this chapter is obviously sound localization and how and why we can hear things and know what they are and where they are coming from; I think this is the most useful part in understanding sensation and perception. Often when we think of sensation and our senses we think of how important they are, like how important our vision is for locating and finding what we are looking for; however, sound localization explains to us how our senses are so amazing they are capable of doing this without even seeing anything. We can locate things through sound, because our auditory system is that powerful.
6) How, in what ways, does this chapter relate (build on) to the previous chapters?
Chapter 10 builds on the other chapters because it is still focusing on our senses, such as how we can see or hear things but it also is going in depth on how one sense is powerful enough to do things that other senses are known for.
7a) What topic would you like to learn more about?
7b) Why?
I would like to focus my research for the next blog on sound localization and how advanaced it truly is. We often don't realize what we are capable of doing with our senses but it is extremely impressive to me. How many times have I been trying to walk downstairs at night in the dark and been able to sense where I am going and what I need to do. sound localization shows how advanced our senses are and it is something I would like to do further research on.
8) What ideas related to what you were reading (what did you think about) did you have while reading the chapter?
While reading this chapter it made me think about how for some reason when I am in the dark and looking for something I try to focus my eyes so well in hopes that I will be able to see something in the dark somehow. Which is silly because it isn't going to make a difference, this chapter made me think about how advanced our senses are and how in using our senses we receive different sensations from them which is basically what this course is about.
9) Once you are done with your post make list of the terms and terminology you used in your post.
Sensation, perception, timbre, auditory, sense, harmonics, complex sound, sound localization, ILD interaural level difference, attack, decay.
1a) The first interesting item I came across from chapter 10 was the section on interaural time differences. This is the sound difference in time between a sound arriving at one ear versus the other. If the source of the sound is to the left ear, the sound will reach the left ear first. This can even be used to locate the angle of a sound source which is called azimuth.
1b) This was interesting because I always took knowing where something was according to the sound for granted. I never really thought of the mechanics behind this ability, and know that I do I find it rather fascinating.
2a) The next part I found interesting was on the second cue to sound localization called interaural level difference. This is the difference in level intensity between a sound arriving at one are versus the other. Sounds are more intense at the are closer to the sound source. The ILD is largest at 90 and -90 degrees and it is nonexistent at 0 and 180 degrees (directly in front or behind you).
2b) This was interesting because once you put these two interaural differences together then it makes very easy to tell where a sound is coming from, and how close it is to you. For animals in nature this is what helps them hunt or in the opposite case, what keeps them alive when detecting other nearby creatures.
3a) The next interesting section was on harmonics and more importantly timbre. Timbre is the psychological sensation by which a listener can judge that two sound with the same loudness and pitch are dissimilar. Timbre quality is conveyed by harmonics and other high frequencies.
3b) This was initially interesting to me because timbre is a common word used in music. I have taken music classes before so I already had a grasp on this subject so it was interesting to see a term that I had been familiar with before in this textbook.
4a) The least interesting part from chapter 10 was on attack and decay. Attack is the part os a sound during which amplitude increases (onset) and decay is the part of a sound during which amplitude decreases.
4b) This was not interesting just because it was a simple concept and they overcomplicated it by describe in too big of detail how they work. They could have summed it up in one paragraph.
5) This chapter was the most useful in understanding how we perceive how far away sounds are in our environment. It also did a good job of explaining how we differentiat between different items creating the sounds we hear and how we can recognize them from just listening.
6) In the previous chapter we learned about the inner ear workings and the small mechanics that take place in order to create a sound, now this chapter adds on to this by showing how our hearing helps us learn about the real world environment that is around us. We also saw similarities from this chapter with previous ones about sight and how they correlate with one another.
7a) This I might change my mind on further investigating, but as of right now I would like to know more about ILD.
7b) I was very interested when reading this portion of the chapter and I would like to know in what situation would this be disrupted (like hearing loss in one ear)
8) When reading about ILD I stopped and could hear my wind chime directly behind me. I could tell exactly where it was and related it to my current reading at the time. Also I listen closely to my cats playing and knew where they were because of how the sound traveled to my ears.
9) interaural time differences, attack, decay, interaural level difference, harmonics, timbre, frequency, source
1. I always thought there were some secret structure in our ears that allows us to identify where sounds come from, but I never thought that it would be the slight difference between the time it takes for a sound to arrive at one ear and the other, as well as the slight difference between the perceived intensity of the ears. Interaural time difference and interaural level difference are among the many ways our ears can detect the location of the sound. Medial superior olives are the location for interaural time difference detector, and lateral superior olives are sensitive enough to the excitatory and inhibitory inputs that they act as interarual level difference detector. It is interesting that our ears and brain structure are sensitive enough to detect the very slight differences of the time and intensity of what one ear receives versus another. I wonder what the world sounds like for people who are deaf in one ear; they must use other clues to detect where the sound comes from; just like people who do not possess stereopsis due to only having one functional eye, they are forced to use monocular clues to perceive depth.
2. Another thing I found interesting was the fact that the structure of the ears and the brain are not the only factors in determining how one perceive the location of the sound, the size and shape of the head and torso are also important factors in determining which frequencies reach the ear most easily. Thus, the intensity of each frequency varies according to the direction of the sound, and those varieties are cues for us to locate the where the sound comes from. The anatomy of the body seems to be built so everything can work together; I often ignore the existence of my ears because I can’t see them unless I look for them in the mirror, which I do not often do; I do not really think of how my ears aid me with daily activities throughout the days. After reading this chapter, I really learned to appreciate my ears and their functions.'
3. I also found the similarities and differences between vision and auditory interesting. Hearing and seeing seem to be different things, but the ways we process the information are similar. For example, the perception of auditory distance is similar to perception of visual depth; people have to combine different information they get from the sound – the intensity, composition, and relative amounts of direct and reflected energy of sounds to estimate distance to a sound source. Just like perceiving depth, by solely relying on one cue is not sufficient enough for a person to detect and understand 3D images.
4. I enjoyed the parts regarding musical instruments and human speech less. It is an important concept, but it interest me less because I have less interest in music and musical instrument (although I played piano for 14 years, from 3-17 years old, the majority of my life, I still find it hard to develop an interest in music. Perhaps it has something to do with being forced to play big musical pieces and perform in front of a bunch of boring people.) I have always had a hard time understanding classical music, and never really paid attention to music and never attended a concert.
5. I believe that understanding how people perceive sound is important in understanding sensation and perception. Since all sounds in the environment are combined into a single wave form that reaches our ears, it is important for us to understand how our ears and brain know which sound is which. The process to achieve that understanding is called auditory scene analysis, which uses the different characteristics of the sounds, such as the specific location it comes from, similarity in frequency and timbre, onset properties, and familiarity. This is important because at times we miss a sound or two without noticing that it should be there, and at times our ears help us out a lot by locating where the sound comes from; all these are contributions of our senses to our perception.
6. This chapter mentions a lot about the similarities between vision and auditory, which really helps my understanding of the structure of the ears and how the brain processes the ears. It helps a lot when new information can be compared with something we already knew – it makes processing the information a lot easier.
7. I want to learn more about auditory scene analysis and the process that is involved in separating different sounds and understanding what needs attention and what does not. I believe that it is an important concept in understanding sensation and perception, and I want to see if there are any other topics that are related to auditory scene analysis that can I do research on for the topical blog.
8. I wondered how much noise or sound I am ignoring throughout my daily lives. I have a history of not hearing people calling my name when I am concentrating on something else, and that makes me wonder what sounds I am missing out in life. I also thought about whether a sense can overwrite another – as in, if I am focusing on my visual field, is it less likely that I will perceive sounds correctly? If I close my eyes, will my ears hear more?
TERMS: auditory scene analysis, vision, auditory, timbre, onset properties, familiarity, interaural time difference, interaural level difference, stereopsis, monocular cues, depth perception, excitatory input, inhibitory input, lateral superior olives, medial superior olives, sensation, perception, pinnae
1. a) The first topic that I found interesting was the cone of confusion.
b) The cone of confusion is a portion of space where all sounds produce the same differences between the intensity and time. That is to say, all sounds have the same interaural time differences (ITD) and the same interaural level differences. I find this interesting first and foremost because it is called the cone of confusion. Secondly, I think it is interesting that in these areas, two cues for the location of a sound are rendered useless. Luckily, turning our heads solves this minor problem.
2. a) The second topic that I found interesting was timbre.
b) Timbre is the psychological experience in people that enables us to detect a difference between sounds despite a similar pitch and intensity between the sounds. This difference is detected by such methods as harmonics. I find this interesting because I find it really cool that the human ear can pick up such detail in sounds. It shows how multidimensional sounds can be.
3. a) The third topic that I found interesting was auditory stream segregation.
b) Auditory stream segregation is the organization of sounds from a particular source. The brain separates sounds from different sources into different auditory streams. Each stream comes from a different source and is detected by methods like pitch and other qualities. After this, the auditory streams are further processed as separate items. I find this interesting because it shows how we can make sense of a bunch different sounds coming in at the same time. This really shows how well the brain is able to process a world with so many complex inputs of information.
4. a) The topic I did not find very interesting was the inverse square law.
b) The inverse square law is a law that states that the intensity has an initial decrease which is much faster than the distance increasing. This gives rise to a formula, which states that the increase of distance squared is equal to the decrease in intensity. I did not find this interesting because it is simply not a subject that interests me. It is a relatively simple concept to grasp, so I did not put much effort into caring about it.
5. What I read in the chapter that was most useful for understanding sensation and perception was what auditory localization was, and why it was important. Auditory localization is basically the process our body goes through in order to determine the location of the source of a particular sound. This is helpful in understanding sensation and perception because this process is essentially a method of perception, specifically for the locale of a sound. This subject is actually the topic of the entirety of chapter 10. Therefore, knowing the basic definition is necessary for understanding the chapter as a whole.
6. The chapter builds on the previous chapter because while chapter 9 was about the basics of the ear and hearing, chapter 10 was about a specific function of the system. Basically, chapter 9 was the intro course to the ear. Chapter 10 was a more specific subject matter.
7. The topic I want to learn more about is disorders. I want to find a disorder with sound localization because the text did not really mention any. It makes me curious as to whether there are any disorders with this area. Such a thing would seem unlikely, so I would like to find out if there are any or not.
8. All I really thought about in the chapter was that the cone of confusion was a scientific term and phenomenon. The phrase seems more like a remnant from a cartoon show I watched as a child. I find it incredibly odd that such a term is used to describe something scientific. However, if the shoe fits…
Terms: Cone of confusion; interaural time difference; interaural level difference; timbre; pitch; intensity; harmonics; auditory stream segregation; auditory streams; inputs; inverse square law; auditory localization; perception; sensation
1a) II found the discussion about the azimuth really interesting. I thought it was a good imagery technique to use to describe the interaural time difference concept. Throughout the chapter it talks about the head affecting the way we hear sounds. I hadn’t really thought about this concept before, or that the head actually blocks some of the sound wave from reaching the other ear, thus making it louder in one ear than the other. This can then be used to determine the location of sounds.
2a) I thought the section discussing directional transfer function and the shape of the pinnae was interesting. Specifically the part about piercings changing the “shape” of the pinnae, which effects how frequencies arrive at the ear. I have 4 piercings on one ear and 3 on the other…that’s a lot of change that has occurred to my ear. Plus I have cartilage piercings, which caused my ears to swell up and change shape for a while before the swelling went down. I can’t say I noticed the change in sound, but I think more extensive piercings could probably produce a larger change.
3a) I thought the part discussing the harmonic tones that can be identified in music interesting as well. This made me think about a study I have read before that said people who grew up playing a musical instrument or singing, are better at picking up on things like rhythm and tone. Those who did not have a hard time determining if their own voice matches that of a song or instrumental sound, simply because their ears aren’t “trained” to hear these tones. I think this is very possible.
4a) I didn’t find the section about inverse square law that interesting. I understood that the closer sounds are the more intensity difference will be noticed, but it just didn’t interest me that much. It seemed sort of self-explanatory. When things are farther away, they are harder to hear and therefore it’s harder to judge how far away they are.
5) I think the section about source segregation and auditory scene analysis will be helpful. When reading this it helped me understand how we hear. Knowing that we can actually pick up on distinct sounds in our environment and sort of tune the rest out is really important. I also thought the azimuth was important because it explains how sounds are picked up on and affected by our biological make up.
6) It compared itself mostly to vision where there are complex processes that must be combined to hear correctly, it’s not a simple process. Sounds have to be picked up, interpreted, separated and then sent to the brain for analysis.
7a) Timbre sounded sort of interesting being that it is a psychological sensation. I think it would be interesting to look more into how we determine differences in pitch and if this is affected by anything.
8)As I stated before I thought about the article I read about “musical ears” vs. “non musical ears”. I also tried to think about times when people snuck up on me and I didn’t hear them because I was listening to something else and they made such little noise that my ears didn’t bother to pay attention to it.
9) azimuth, pinnae, directional transfer, harmonic tones, timbre, inverse square law, frequency, intensity, tone
1a. The first concept from chapter ten that I found interesting was interaural time difference. This is the idea that the ear closest to environmental noise is able to hear the noise before the other ear can perceive it. As an example, if a garbage can located on the left side of your body falls over your left ear will pick up the resulting noise first and perceive it before the right ear has a chance to. This ability allows us to determine what direction a sound is coming from and is vitally important for survival skills and natural selection.
b. I found this interesting because it is a very important concept based off of evolutionary principles and is crucial for surviving as both predator and prey. For a predator to catch food for survival they need to be able to perceive the noise the prey is making as well as determine where the noise is coming from. If a predator experienced a deficit in this facet of hearing they would likely die out as a result of an inability to locate food. Additionally, it is important that prey can identify where a predator is so that they can survive and thrive. Without the ability to sense a predator is coming and the direction from which they will attack, the prey would likely be killed off.
2a. The second concept from chapter ten that I found interesting was the medial superior olive (MSO) located in the brain. This lateralized part of the brain receives input from both ears and is responsible for interpreting and perceiving interaural time differences. The medial superior olive is the first place in the auditory system where inputs from both ears converge. Researchers have located MSO neurons in this area of the brain whose firing rates increase in response to time differences in inputs from the two ears.
b. I found this interesting because it is a part of the brain that specializes in interpreting sound from both ears. I like to learn about various parts of the brain and their specific functions. I also thought it was interesting that there are specific neurons and receptors in this area of the brain that fire only when the brain receives feedback from both ears.
3a. The third concept from chapter ten that I found interesting was interaural level difference (ILD). This is another cue to sound localization that depends on sound intensity. It specifically calculates the difference in level intensity between a sound arriving at one ear versus the other ear. Obviously, sounds are more intense at the ear closer to the sound source. This results because the head partially blocks the sound pressure wave from reaching the opposite ear.
b.I found this topic interesting because it is discussing our brains ability to perceive the intensity of noise that surrounds us which is important because preserves our ability to avoid noises that are too intense with the possibility to damaging hearing.
4ab. I did not find the sections on timbre and grouping timbre to be outwardly interesting. I think it was a dry section of the text and held some vocabulary that is still not readily available to me which resulted in a small amount of confusion. I generally prefer to read about brain structures associated with activity or clinical implications that occur when there is a deficit in an area of the brain.
5. I believe the sections on interaural time difference and interaural level difference will be very helpful knowledge to have while continuing sensation and perception. They are important concepts related to hearing that I will need to know for later concepts and chapters that expand on the auditory system. I think it is very important to be aware of critical parts of hearing and the environment considering all of our sensing and perceiving takes place in the environment.
6. This chapter specifically builds on the previous chapter that focused on the physiology of the auditory system. It goes into further detail of the auditory system and the vital parts that allow s to hear and perceive our environments. It uses previous vocabulary and concepts to introduce new concepts, like the interaural level difference, to ensure that it is easy to understand.
7ab. I would like to learn more about the section that covered when sounds become familiar. It is very interesting that we can become familiar with a sound and then recognize it in a split second when we hear it after our initial exposure. I want to learn about how this occurs and what parts of the brain are active when we actively remember a sound.
8. While reading chapter ten I thought about the evolutionary benefits that hearing has for living things. The ability to hear allows us to detect a predator/prey as well as where they are located and how close to us they are. I also thought about parts of the brain that become active when we recognize random noises. I am very interested in learning more about these aspects of the auditory system and their effect on survival.
Terms: interaural time difference, perception, auditory system, sense, natural selection, evolutionary perspective, medial superior olive, interaural level difference, timbre, grouping timbre,
1. The first thing I found interesting was how harmonic many of the sounds we hear in our daily lives. This is interesting to me because I never really thought of that concept applying to much except for straight up music. This idea is called complex sounds, because it uses, harmonics. Harmonics are the sounds that are most easily heard by the human ear, specifically Fundamental frequency. Fundamentally frequency works as because natural vibratory sources have energy to them that sounds produced in a laboratory don’t always. The more energy a sound has, the louder it will be-which makes it easier to hear. I was surprised to find that sounds which register at 250 Hz on the produce the more energy than ones on the higher end of the spectrum (which ends at 600 Hz). I thought this explained why I have trouble hearing male voices which fall at the lower end of spectrum, if they don’t produce the same amount of energy as female voices.
2 the second thing I found interesting was how Timbre and auditory “color” consistency impact the final sound we hear. Timbre is defined as the” sound quality that is conveyed by harmonics and other high frequencies”. This explains how we can hear two sounds that Aare the same fundamental frequency and loudness (aka wavelength intensity) but still discern the differences. Words that we perceive as different even though they both use similar sounding vowels are an example of this concept. One aspect I am not quite sure I understand about this is if the timbre is higher frequency, the actual sound will be perceived as lower frequency. I think this has something to do with how auditory “color” consistency effects the perception of sound. Auditory “color” frequency is how the environment impacts and changes the sounds we hear. All sounds are easier to hear in a room with hard surfaces, than with soft surfaces. Higher frequency sounds are especially easier to hear in a room with hard surfaces, because higher frequency sounds are perceived as lower sounds, which can be harder to hear.
3. The third thing I found interesting was the how the concepts of attack and decay affect our hearing. Attack is defined as a way a sound begins while Decay is how a sound ends. Attack and decay are very important to the auditory system they play a huge role in how we perceive the small but very important difference in sounds. One example of this is the difference between the word “duck” and “buck”. Both of these words mean different things when they are yelled. “Duck” can mean “get down” or “look out”. “ buck” could be yelled for several reasons, the most likely being that someone is trying to get someone else’s attention from far away or a male deer has been spotted. The context in which a word is heard makes a big difference, which is why the attack of a sound is important. Car horns are loud, or at least they are if the driver is lucky, because they have a very important function- to get the attention of those around them. The decay of a sound is less important but still matters as that can play an important factor how a sound is perceived. Loud sounds can be perceived as pleasant, unless they go on too long- when they become annoying.
4. this chapter was pretty interesting, so I didn’t find any part of it downright boring, but the part that was the least interesting was the bit on how sounds are grouped because it seemed a little too technical for me to follow as it relied a little bit on having a musical background- which I don’t.
5. I think that how harmonics work is the most useful part of this chapter as it explains why we perceive all sounds as we do.
6. This chapter used the names of the parts of ear, which was from last chapter.
7. I think I would like to explore which types of voices, lower or higher are harder to hear and why they are that way( what personal differences impact that).
8. As I read chapter 10 I kept thinking about how some classrooms were obviously designed to promote the student’s ability to hear, such as the larger lecture halls, but some other smaller classrooms could have been better designed to with this thought in mind.
9. terms: harmonic, hear, music, complex sounds, Fundamental frequency, sounds, natural vibratory sources , energy, louder, Hz , spectrum, sound quality , wavelength intensity, Words, perceive, vowels, higher frequency, lower frequency, auditory “color” consistency , hard surface, environment, soft, surfaces, attack, decay affect, auditory system , yelled. , context.
1) So far I’ve enjoyed the auditory reading more than the visual content of this textbook. I think being a musician provides a strong background for understanding a lot of the concepts from psychoacoustics and especially the parts from chapter ten about harmonics. Similar to the basis for all simple chord progressions, almost all sounds heard in real life are harmonic sounds. This means they are a collection of sine waves or pure tones waves of sound energy. The sound we hear is primarily the fundamental frequency, which is the sound wave that has the lowest frequency in the harmonic. The other waves are the second, third, fourth and so on harmonics. This grouping represents the frequency multiples above the fundamental frequency.
2) Building on number one, I was also interested to learn that we perceive the harmonic sound even when the fundamental frequency is not present. This occurs because the energy waves which form the harmonic integrate the same energy wave as the frequency wave. There are specialized neurons in the auditory nerve and cochlear nerve which are stimulated by very specific energy waves. When second or third harmonics pass through the auditory system, the energy waves (that contain the same energy waves as the first harmonic) will stimulate these neurons, as well as the ones for the second, third and fourth harmonics. I enjoyed learning about harmonic sound in chapter 10 because I am interested in music, voice, and perception. It would be interesting if the textbook had more information on the psychology behind some of these things, such as the difference between different types of harmonic sound (i.e., how they are perceived, impact on mood/emotion, etc.)
3) I liked how the last couple of pages focused on how auditory processing is combined with other input and context clues to produce our total perceptual experience. For the bulk of the chapter, I was wondering about the consciousness behind auditory processing and how all of it is combined in real life.
4) I kind of wish the chapter had included some kind of chart with similar localization cues and other aspects of auditory perception across senses. I felt like every cue had something similar regarding vision, and it would be nice if the book could help define those similarities better.
5) We spent eight chapters on vision, and I expect nothing less for hearing! I’m sure there will be more in the next chapter regarding higher processes, and hopefully some psychology related to perception.
6) In many aspects, this chapter is like some of the content we had for vision. Several auditory localization cues are similar to visual localization cues. Of course, chapter ten also builds on much of the anatomy of the inner ear taken from chapter nine, as well as the basics of psychoacoustics. Particularly, frequency, amplitude, pitch, and timbre were important in chapter ten.
7) I think the chapter left a couple of questions unanswered – specifically, page 292 says “somehow”, which I took to mean there is no simple answer to the question “how does the auditory system” separate sounds to form our perception?”. It might be interesting to read some of the studies done for the localization cues. For example, on page 282 I wondered if one could tell if the green frog in Figure 10.8(a) moved to the red frog’s position in Figure 10.8(b)… would we be able to detect it? Or would we assume the frog had only moved when we moved our head? Or, could it actually be two frogs but we misconstrue the existence of the red frog, and assume the green had moved? Obviously, research to date views the concept as a simple matter (there are two frogs), but the brief explanation left me with some questions.
8) When the chapter was discussing localization cues, I was thinking, I have never once consciously thought about how I can tell where a sound is coming from. Based on my personal experience, I can conclude this process occurs in a relatively low center of the brain. According to the chapter, the bulk of this knowledge does come from the pons. Realistically, we don’t wander around blindly guessing the source(s) of sound(s). Most of the time we have other cues that contribute to our conclusion about where a sound may be coming from. These may be visual, contextual, or memory-based. The chapter also mentioned how part of localization is learning-based, so we know that our hearing has been impacted by evolution. We can also assume it is to our benefit to combine visual clues with memory and knowledge and perhaps other sensory input to more accurately evaluate a given sensory experience. The textbook does address some of these questions towards the end of the chapter. Hopefully we’ll get more details in the coming chapters!
9) Psychoacoustic, harmonic sound, sine wave, pure tone, fundamental frequency, auditory nerve, cochlear nucleus, specialized neurons, frequency, amplitude, pitch, timbre,
visual cue, pons, localization cue
1a) What did you find interesting?
I thought interaural level difference (ILD) was an interesting concept. Interaural level difference is the difference in level intensity between a sound arriving at one ear versus the other. Sounds are more intense at the ear closer to the sound source because the head partially blocks the sound pressure wave from reaching the opposite ear. The properties of the ILD relevant for auditory localization are similar to those of the ITD. Sounds are more intense at the ear that is closer to the source, and less intense at the ear farther away from the source. The ILD is largest at 90 and -90 degrees, and it is nonexistent at 0 degrees (directly in front) and 180 degrees (directly behind).
Between these two extremes, the ILD generally correlates with the angle of the sound source, but because of the irregular shape of the head, the correlation is not quite as precise at it is with ITDs. Although the general relationship between ILD and sound source angle is almost identical to the relationship between ITD and angle, there is an important difference between the two cues: the head blocks high-frequency much more effectively than it does low-frequency sounds. This is because long wavelengths of low-frequency sounds “bend around” the head in much the same way that a large ocean wave crashes over piling near the shore. I thought this concept was interesting because I never knew the head partially blocks the sound pressure wave from reaching the opposite ear. I just found this to be very interesting to me.
2a) What did you find interesting?
I also found Lateral Superior Olive to be interesting. LSO is a relay station in the brain stem where inputs from both ears contribute to detection of the interaural level difference. Neurons that are sensitive to intensity differences between the two ears can be found in the lateral superior olives. These receive both excitatory and inhibitory inputs. Excitatory connections to the LSOs come from the ipsilateral ear. These originate in the left cochlea, and excitatory connections to the right LSO come from the right cochlea. Inhibitory inputs come from the contralateral ear via the medial nucleus of the trapezoid body. What makes neurons in the LSOs so sensitive to differences in intensity across the two ears is the competition between excitatory inputs from one ear(ipsilateral) and inhibitory inputs from the other ear (contralateral). When the sound is more intense in one ear, connections from that ear are better both at exciting LSO neurons on that side and at inhibiting LSO neurons on the other side. This was interesting to me because I didn’t know there were such things as excitatory and inhibitory inputs.
3a) What did you find interesting?
I also found the inverse-square law to be interesting. This principle states that as distance from a source increases, intensity initially decreases much faster than distance increases, such that the decrease in intensity is equal to the increase in distance squared. This general law also applies to optics and other forms of energy. The effectiveness of relative intensity decreases substantially as distance increases. When sound sources are close to the listener, a small difference in distance can produce a relatively large intensity difference. Listeners are fairly good at using intensity differences to determine distance when sounds are presented within 1 meter of the head, but listeners tend to consistently underestimate the distance to sound sources farther away, and the amount of underestimation is larger for greater distances. Intensity works best as a distance cue when the sound source or the listener is moving. In a manner akin to motion parallax in the perception of visual depth, sounds that are farther away do not seem to change direction in relation to the listener as much as nearer sounds do. I thought this was interesting because I never really thought of underestimating sounds before.
4a) What one (1) thing did you find the least interesting?
One thing I found the least interesting was timbre. Timbre is the psychological sensation by which a listener can judge that two sounds with the same loudness and pitch are dissimilar. Differences in timbre between musical instruments or vowel sounds can be estimated closely by comparison of the extent to which the overall spectra of two sounds overlap. Perception of visual color depends on the relative levels of energy at different wavelengths, and very similarly, perception of timbre is related to the relative energy of different acoustic spectral components.
5) What did you read in the chapter that you think will be most useful to in understanding Sensation / Perception?
I think understanding azimuth will be the most useful. Azimuth is the angle of a sound source on the horizontal plane relative to a point in the center of the head between the ears. Azimuth is measured in degrees, with 0 degrees being straight ahead. The angle increases clockwise toward the right, with 180 degrees being directly behind.
6) How, in what ways, does this chapter relate (build on) to the previous chapters?
This chapter builds on previous chapters because it goes into more detail on the application of the ear. It goes into further detail on how the ear hears and the different parts of it. It talks about how we measure sound sources and what sense we make of it. It talks about the different levels of intensity and how we measure intensity.
7a) What topic would you like to learn more about?
I would like to learn more about fundamental frequency. Fundamental frequency is the lowest frequency component of a complex periodic sound. With natural vibratory sources, as opposed to pure tones, there is also energy at frequencies that are integer multiples of the fundamental frequency. The auditory system is acutely sensitive to the natural relationships between harmonics. One thing that all harmonics of a fundamental have in common is fluctuations in sound pressure at regular intervals corresponding to the fundamental frequency. I want to learn more about this because it’s somewhat confusing to me, and I just thing the subject is interesting.
8) What ideas related to what you were reading (what did you think about) did you have while reading the chapter?
While reading this chapter I thought about timbre and the relation to music. A lot of times in sheet music you can find the word timbre so it was just interesting to me to read that in the chapter. The definition described timbre as the psychological sensation by which a listener can judge that two sounds with the same loudness and pitch are dissimilar. So learning the actual definition and relating it to how it could be perceived off of sheet music was interesting to me.
Terms: Interaural level difference, level intensity, sound, ear, intense, pressure, wave, auditory, localization, nonexistent, extremes, correlation, angle, high-frequency, low-frequency, long wavelengths, lateral superior olive, inputs, brain stem, detection, neurons, sensitive, excitatory, inhibitory inputs, ipsilateral ear, left cochlea, right cochlea, contralateral ear, medial nucleus, trapezoid body, Inverse-square law, optics, energy, motion parallax, timbre, psychological, loudness, pitch, spectra, fundamental frequency, azimuth.
1a) The first topic that I found interesting was the section on the interaural time difference. The interaural time difference or ITD is the difference in time between a sound arriving at one ear versus the other. If a sound is heard to the left the left ear will be the first topic to hear the sound and just the opposite if the sound is to the right. This is the way that our brain is able to tell which way a sound is directly coming from. Azimuth is the angle of a sound source on the horizontal plane relative to a point in the center of the head between the ears.
1b) I found this section interesting because it has always been fascinating that once you hear a sound you automatically look towards the direction at which you have herd the sound come from. With this being said we are then able to know when things that may be dangerous may be approaching as we are able to hear what direction the sound is coming from and then we will be able to run in the opposite direction.
2a) The second section that I found interesting was the section about the physiology of the ITD. The medical superior olives MSO's are a relay station in the brain stem where inputs from both ears contribute to detection of the interaural time difference. According to the findings of Yin and Chan neurons were found in the MSOs whose firing rates increase in response to very brief time differences between inputs from the two ears of cats. The ITD connectors are able to form their connection within the first few months of life and developing the ability to use ITDs to localize sounds depends critically on having experience with separate sounds coming from different places.
2b) I found this to be interesting as I said before that ITDs interested me as we find out where a sound is coming from but it also made it more clear as to where the development of ITDs came from. It is fascinating that at as early as 2 months old we are already developing these skills that we will then be using for the rest of their lives and we don't even realize at that age how important that they truly are.
3a) The third thing that I found interesting was the section on auditory distance perception. This section talked about how far away a sound really is. The simplest cue for judging a sounds distance is relative intensity of the sound as the sound becomes less intense as the sound is further away. The inverse-square law is a principle that which states that as distance from a source increases, intensity initially decreases much faster than distance increases such that the decrease in intensity is equal to the increase in distance squared.
3b) I found this section interesting but also very confusing. I think that the part that I found most interesting was the first couple paragraphs as we spent a lot of time in the chapter talking about ITD, ILD, DTF but none of these really covers much distance than arm's length away from the body. It made me think about how we can hear sounds that are quite far away depending on the strength of our hearing but in reality it may sound closer but in fact its really quite a ways away.
4) The section that I found less interesting was most of the chapter as I have learned a lot of this information before but the least interesting is the part about complex sounds. I found this section of the book very hard for me to understand as there seemed to be a lot more information that it was harder for me to comprehend and I felt my self spending more time re-reading the information and got bored of it.
5.) This chapter is important to sensation and perception because it looks into sound localization and how and why we are able to hear the different things in our life's and to know where they are coming from. Our hearing is one of the senses that we often rely on most to assist us with different alerts that are going on in our life whether it be a fire, tornado, hurricane, or any other emergency even with having our hearing we are able to localize where this sound is coming from and be able to plan what to do next accordingly.
6.) This chapter builds on previous chapter because chapter 9 introduces us to the ear and it's functions chapter 10 goes into specific functions of the ear systems. With out the building on from chapter 9 I think that this chapter would have been much more confusing to the reader. It also has many different similarities from the previous chapters on eyes and how the eyes transmit information to the brain.
7.) I think something that I would like to research from this topic is looking to see if there are many disabilities that deal with sound localization. I think this would be interesting to be because I feel that the only type of disability that I personally know about is hearing loss. I know there are other disabilities out there but I lack knowledge about these topics and how they will effect someone's daily life even if it does not make them lose the sense of hearing as a whole.
8.) While reading this chapter it made me think a lot about how I have never really thought about how I am able to hear where a sound is coming from. I have noticed that I am able to hear sounds from different areas of a room but I have never really thought about how my brain is able to process the information. I also thought about how our brain and our senses are aligned and it made me think about our developmental period and how did the person who came up with all of this information first discover the difference from the senses and why did they call the different systems of the ear what they did. It has always been something that I have thought about no mater the topic of study but I had seem to think about it much more during this chapter and throughout this assignment. I feel that most people with hearing are not very thoughtful when it comes to their hearing as they have not thought about how much they rely on their hearing in their everyday life.
9.)Terms: Interaural time difference, ITD, Medical superior olives, brain stem, auditory distance perception, inverse-square law,
The first thing I find interesting is intramural time difference, I think this is cool because it explains why when you hear something on your right side, your left ear doesnt really hear it. When its closer to your right side your right ear will hear better because your head blocks your left ear.
The second I would say is the cones of confusion. It's interesting because I never really realized there was an area where you couldn't tell how far away things were, generally you just know things are close because of how long they are, or opposite. But this is saying once its in the 'cone' you cant really tell how close it is to you
The third thing i found interesting is timbre. Its interesting because its saying there are things that have the same loudness and pitch are completely different things even though they should sound similar because of the pitch and the loudness
This chapter I didn't read anything i found particularly uninteresting. It was all really cool reading about the different things that help us hear all the amazing sounds we can hear.
Auditory scene analysis is something I think thats very important to understand sensation and perception. Its how we process multiple sounds at one point which is very helpful to how we perceive our sounds
This chapter relates to chapter 9 because it builds on how we hear.
I would like to learn more about the cones of confusion. I think its really strange but interesting how that happens and would like to learn more about how and why.
While reading this chapter i was mostly trying to think about when I'm in loud areas and what I hear , the differences in pitches and loudness with how far away things are etc, I think its cool trying to think about when these different things happen to me
intramural time difference, cones of confusion, timbre, auditory scene analysts, pitch, loudness,
1. The first thing I found interesting from chapter 10 was auditory localization, or sound localization. Auditory localization is a listener’s ability to identify the location or origin of a detected sound. There was a good example from the chapter that helped me understand the concept a little better. The example was focused on an owl hooting at night. Although you cannot see the owl, you can usually figure out where the owl is by following the sound. I find this interesting because I’m sure we use this mechanism a lot more than one would think. We hear sound after sound after sound and for me, it is easy to detect the location of that sound but I have never actually thought about it in this way. Even when the sound is not in our visual field, we rely on our ears to help find that noise. I think I find this so interesting because we use this mechanism on a day to day basis but we don’t ever really stop to think about how this is yet another amazing thing our body can do.
2. Another concept from chapter 10 that I found to be interesting was the section on interaural level of difference. According to the book, this is the differences in level (intensity) between a sound arriving at one ear versus the other ear. I figured that sounds would be more intense in the ear that is closest to the sound but this section clarified even more for me. The book said that the reason behind this is actually our head. Our head blocks part of the sound pressure wave from reaching the other ear. I found this interesting because the book added to my knowledge about this subject. I enjoy learning even more details about the concepts I already know a little about.
3. A third concept from this chapter that I found to be interesting was the idea of sound familiarity. This idea basically entails that the more you hear a sound, the more familiar you are with it and it is easier to pick it out of a group of sounds. An example from the book was very useful and helped me further understand this concept. The example was a person saying your name out loud. Because you have heard your name so many times in your life, that sound is very familiar to you therefore you are going to be able to pick it out in a loud crowd. This can go for any word really that you are familiar with. Maybe you have a job as a waitress and a bell goes off when your table’s food is ready. You would become very familiar with that sound and it would be normal for you to be able to pick that sound out even in a crowded, loud space. I find this interesting because this is another concept that I knew a little bit about but this book helped further answer some of the questions I had about it. I found it interesting about our name. Sometimes I find myself answering to people who didn’t even say Abby; I just thought I heard my name and instantly responded... How embarrassing!
4. I didn’t find the two sections on timbre and grouping timbre to be that exciting. Part of this was due to the different terms and the meaning behind the terms. I did not catch on with these meanings as promptly as I usually do and that made me less interested in it. I was a little confused reading these sections and compared to most of the other sections of this chapter that I found interesting, this section did not keep me entertained.
5. I believe the most useful section in this chapter to help understand sensation and perception was the concept of sound localization as well as everything related to this in this chapter. Our senses and how we perceive things are relied on in our day to day lives and without them we would struggle to survive. Without vision and sound everything is so much harder and we don’t always realize how much we rely on these two senses to help us in our lives. We also don’t realize how much our bodies do to help us with these two senses as well as the other three.
6. This chapter builds on to the previous chapters because it is still focusing on our senses such as our visual system and auditory system. We already have a lot of information on these two large concepts but the chapters continue to teach us more information about the ideas involved as well as teach us new information that relates to it. When we have information to compare the new information to it makes it a lot easier to understand and apply to our lives.
7. I want to learn more about auditory scene analysis and the process that is involved in separating different sounds and knowing the difference between the sounds that need attention and the sounds that don’t. I understood this concept but there are more questions that I want answered. There are also other topics related to this that I would also find interesting and I would enjoy learning more about.
8. While reading this chapter, I kept thinking about white noise and sound localization and how they almost relate. White noise is the background noise that you always hear and sound localization knows where the sounds you hear are coming from. I know that I am always hearing different sounds but it is interesting that sometimes I will pick out different sounds and I want to know where they are coming from. After reading these chapters, it has come to my attention that the body does so much more than one could ever imagine.
9. Terms: Sensation, perception, auditory system, visual system, ILD, interaural level of difference, timbre, grouping timbre, sense, familiarity, white noise, sound localization, auditory scene analysis.
Tanner Reyhons
March 30, 2015
Ch 10 Mon Blog
1) Cones of confusion
A) Exactly how many are there?
B) Why are they like that?
C) Where are they?
D) What does the pinna have to do with it?
2) Timbre
A) What exactly is it?
B) Is it possible to synthetically create all “natural” noises?
3) Auditory stream segregation
A) This concept really interesting if you think about it from a musicians perspective
4) The study by Kiefte and Kluender really confused me. It took multiple re-reads to understand what was going on.
5) When studying sound and hearing its easy to realize that most everything we perceive, excluding taste, is a vibration or waveform. It’s useful to keep this in mind, while thinking about perception. It seems amazing how the combination of sine waves make such organic noises but when broken down to its simplest form it resembles a computer or synthesizer. Then when thinking about timbre of sounds and instruments, I was thinking how this same concept can, under conditions, be applied to sight and feeling.
6) After learning how sound waves are perceived using the ear and brain’s biological mechanism, this chapter flows right off of chapter 9. Now we can break down the physics of sound and appreciate how we can perceive the natural noises around us.
7) I would have to pick interaural time differences and sound shadows because I think it would be amazing to manipulate sounds on a computer to be played through headphones that would simulate a three dimensional sound environment.
8) Through most of the chapter I thought how I wanted to apply these concepts to music making and creating synthetic sound environments.
Terms: timbre, auditory stream segregation, ITDs, sound shadows
The first thing I found interesting was interaural level difference (ILD). Interaural level difference is the difference in level intensity between a sound arriving at one ear versus the other. Sounds are more intense at the ear closer to the sound source because the head partially blocks the sound pressure wave from reaching the opposite ear. The properties of the ILD relevant for auditory localization are similar to those of the ITD. Sounds are more intense at the ear that is closer to the source, and less intense at the ear farther away from the source. The ILD is largest at 90 and -90 degrees, and it is nonexistent at 0 degrees (directly in front) and 180 degrees (directly behind). Between these two extremes, the ILD generally correlates with the angle of the sound source, but because of the irregular shape of the head, the correlation is not quite as precise at it is with ITDs. Although the general relationship between ILD and sound source angle is almost identical to the relationship between ITD and angle, there is an important difference between the two cues: the head blocks high-frequency much more effectively than it does low-frequency sounds. This is because long wavelengths of low-frequency sounds “bend around” the head in much the same way that a large ocean wave crashes over piling near the shore. This is interesting to me, because I am deaf in one ear so I have to use this phenomenon to locate the direction of sounds. When I don't know where a sound is coming from, I have to turn my head until I find the direction that the sound is most intense.
The second concept that I found interesting was the medial superior olive (MSO) located in the brain. This lateralized part of the brain receives input from both ears and is responsible for interpreting and perceiving interaural time differences. The medial superior olive is the first place in the auditory system where inputs from both ears converge. Researchers have located MSO neurons in this area of the brain whose firing rates increase in response to time differences in inputs from the two ears. This was interesting to me, because I did not realize there are neurons in the brain that only fire when receiving inputs from both ears. Since I am deaf in one ear, I wonder if I still have these neurons or if they go away after a period of not using them.
The third thing I found interesting was the inverse-square law. This principle states that as distance from a source increases, intensity initially decreases much faster than distance increases, such that the decrease in intensity is equal to the increase in distance squared. This general law also applies to optics and other forms of energy. The effectiveness of relative intensity decreases substantially as distance increases. When sound sources are close to the listener, a small difference in distance can produce a relatively large intensity difference. Listeners are fairly good at using intensity differences to determine distance when sounds are presented within 1 meter of the head, but listeners tend to consistently underestimate the distance to sound sources farther away, and the amount of underestimation is larger for greater distances. Intensity works best as a distance cue when the sound source or the listener is moving. In a manner akin to motion parallax in the perception of visual depth, sounds that are farther away do not seem to change direction in relation to the listener as much as nearer sounds do. I found this interesting, because I have always been intrigued by how quickly sound seems to drop off at such small distance changes when closer but not when further away.
Strangely, the thing I found least interesting was the mathematical part of the third thing I found to be most interesting. I am always fascinated by the ways the world and how we perceive it can be explained through math; I am just rarely ever interested in the actual mathematical formulas.
Everything in the chapter about sound location will help me better understand sensation and perception. Since I have such difficulty tracing the origin of sounds with only one good ear, I have to read about the different ways normal people experience the perception of sound location. These are not things that I can ever experience personally.
This chapter built on previous chapters, because it went into more depth about the ways we perceive sound. The previous chapter focused more heavily on the anatomy, while this one focused more heavily on different ways we may perceive the same sound because of things like distance or direction.
I would like to know more about sound location in general, since, as I have stated far too many times already, I am unable to locate sounds on my own, so I would like to find out ways to better cope with my disability. This whole class would be worth it if all I learned was a better way to tell the direction of sound.
I spent pretty much the entire reading thinking about how I wish I could tell which direction sound came from.
Terms: Interaural Level Difference, Intensity, Sound Source, Pressure Wave, Localization, Frequency, Wavelength, Medial Superior Olive, Inverse-Square Law, Motion Parallax
The interaural time difference, when concerning people, is the difference in arrival time of a sound between two ears. It is important in the localization of sounds, as it provides a cue to the direction or angle of the sound source from the head. If a signal arrives at the head from one side, the signal has further to travel to reach the far ear than the near ear. This path length difference results in a time difference between the sound's arrivals at the ears, which is detected and aids the process of identifying the direction of sound source. I found this interesting because all of us just naturally do this, like when someone calls our name or we hear a unexpected sound, didn't realize there was an actual name for the phenomena.
Cone of confusion. Most people are adept at figuring out the location of a sound source using interaural time differences. But, no such time or level differences exist for sounds originating where the cone's axis lies along the line between the two ears. So sound waves originating at any point along a given circumference slant height will have ambiguous perceptual coordinates. Which basically means you have no idea where the sound is coming from. We've all experienced this at one point or another, and most of probably without realizing it, or unconsciously, tilted or turned our heads to get a better idea of where the sound is coming from based on the concept of ITD.
Timbre also known as tone quality, is the quality of a musical note, sound, or tone that distinguishes different types of sound production, such as voices and musical instruments. The physical characteristics of sound that determine the perception of timbre include spectrum and envelope. Timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness. For example, a guitar and a piano play the same note at the same loudness. Everything is the same, but you perceive them differently, you are able to differentiate between the two.
The least interesting for me was Harmonics.We know that what we hear as a single sound or pitch when someone is speaking is really a fundamental frequency. If the fundamental frequency is 100 Hz, the harmonics will be 200 Hz, 300 Hz, 400 Hz, ect. We normally don't hear the harmonics as separate tones, because they have an increasingly lower amplitude than the fundamental frequency the higher up they go. But the harmonics are present in the sound, and they add a lot of richness to the sound of a human voice, a musical instrument, and many other kinds of sounds. Without them a voice would sound thin and uninteresting. This was uninteresting because I think I discussed this last week in my post, so kind of repetitive.
Something that will be very important from chapter ten was the section about complex sounds. Understanding the different complex sounds helps with the identification of other types of frequency. Also it ties in with ITD and cone of confusion. We work around these problems, well our brain solves it for us, but we naturally adjust so we can hear and understand better, just makes me think what else we do unconsciously. I mean how do we know to do this in the first place, I don't ever remember thinking oh i better turn my head so i can hear better.
This chapter is further building on the last one as far as how we perceive and identify sounds.
ITD was definitely interesting I would like to just read up on it more, maybe find some other interesting things about it, for example my previous question two paragraphs ago.
As I read the chapter I mainly thought about the last chapter and how everything is related.
Terms: interaural time difference, cones of confusion, sound, hear, interaural level of difference, auditory scene analysis, auditory system, timbre
1a) What did you find interesting?
i thought this chapter was pretty well put together, i had several interesting topics that i was interested in, the one that i really found interesting is the Directional Transfer Function. (DTF)
1b) Why was it interesting to you?
DTF is the measure that describes how the pinna, ear canal, head and torso change intensity of sounds with different locations, this interests me because sometimes when you hear sounds, it kind of echo and stuff, i want to know if the direction of that particular sound matters, and if DTF have anything to do with it, also, how come sounds echos from particular places instead of all places.
2a) What did you find interesting?
Another topic that i found interesting as well was the Inverse Square Law, this states that basically the further a sound is at, the lower the intensity of it is.
2b) Why was it interesting to you?
i thought this was interesting because of how some people can hear individuals who choose to speak quietly or speak under their breath, also when you're with friends and want to listen to music, some people prefer their music to be low, some people prefer to be medium and most people (Especially teenagers and adolescence) like their music to be pretty high. i want to know if this law can explain some of those factors furthermore.
3a) What did you find interesting?
Third thing that i found interesting as well was the Lateral Superior Olive (LSO) which is a relay station in the brain stem where inputs from both ears contribute to detection of the interarural level difference.
3b) Why was it interesting to you?
i'm interested in this as well because i'm curious on how people can take in different sounds at the same time, or the process of hearing a word, going into your hearing process and eventually making it all the way up to your brain and have your brain understand it right away from there on out, you just know how to respond sometimes without critically thinking about it, you just have a quick respond to something, i want to know how that process works, and how we get to be sometimes so good at answering questions briefly without taking alot of time thinking about it.
4a) What one (1) thing did you find the least interesting?
this chapter was actually decent, it didn't really have many boring, or misunderstood sections, but i will have to say, Fundamental frequency was probably my least interesting chapter
4b) Why wasn't it interesting to you?
it wasn't interesting to me because the way it was example, i didnt quiet get how it was explain or the actual purpose of it, if they would've elaborated more on it, then i probably would've had a better understanding of what its actually about.
5) What did you read in the chapter that you think will be most useful to in understanding Sensation / Perception?
i thought this chapter and the taste bud chapter were pretty cool and helpful in perception generally. i think that Timbre is pretty useful, and it's being able to tell two sounds with the same loudness and pitch that are in fact quiet the same, basically is like listening to two different songs that have completely different messages and different beats but the loudness of them are the same, it's being able to tell that those two songs might be at the same rate in loudness, but they are in fact different in many other factors.
6) How, in what ways, does this chapter relate (build on) to the previous chapters?
the last chapter was basically talking about what sounds are, what we interpret sounds, the functioning of hearing, different hearing illness/challenges. where in this chapter, we are being taught about how we receive sounds, which and where sounds go or come from, the process of knowing the different levels or waves, and processing sounds into our brains so it makes sense.
7a) What topic would you like to learn more about?
i think i want to learn more about the Interarual Time Difference (ITD) which is the difference in time between a sound arriving at one ear versus the other.
7b) Why?
i want to learn more about it because i want to know how some people can go deaf in one ear but not the other, if your brain is functioning correctly at all times without any problem, how could your hearing be imbalance, and because it also seems interesting and would really want know more about it.
8) What ideas related to what you were reading (what did you think about) did you have while reading the chapter?
When i was reading this chapter, i thought about people who make music, like DJs, MCs etc, i was thinking if they knew all these things about sounds/hearing and such, and i thought as if i was one of those people, i would learn everything there is to learn about hearing and sounds so that i can be as successful as i want to be in music because i would know away to sometimes manipulate some beats and do what i can for people to receive my message in many ways, for example, i think the Artist, (DRAKE) knows alot about sounds/hearing and such because no matter what songs he puts out, no matter how he deliver them, his message is always receive with no confusions .
9) TERMS: Interaural Time Difference , Sound, Hear, hearing system, Auditory system, Timbre, Lateral Superior Olive (LSO) Inverse Square Law. Directional Transfer Function, Fundamental Frequency.
1. A) I thought that the shape of the pinna and how it affects sound was interesting.
B) I thought this was interesting because I did not realize or even think she shapes of parts of the ear could affect the way we hear things. It does make sense though because the pinna sends sounds energy into the ear canal.
2. A) I thought that attack and decay were interesting.
B) I thought these were interesting because it can be the way sound ends and begins. I also thought this was interesting because of the examples of violin and speech shown in figure 10.18.
3. A) I thought that auditory stream segregation was interesting.
B) I first thought this was interesting because it's organizing complex acoustic sounds. I think it's interesting how much goes into this process and yet it happens so fast.
4. A) I thought cone of confusion was least interesting.
B) I thought this was least interesting because it's just space that you will hear the same level of intensity or at the same time. I also don't like it because I don't understand how the definition and the name of it match up.
5 I think simply realizing where a sounds came from will be most useful. When a person hears something that leads them to search where the noise came from. Cone of confusion could be used during this time.
6. This chapter builds more on how we perceive sound and how we organize it. It also discusses the intensity of sound and how close or far away from it that we are.
7. A) I would like to learn more about source segregation and auditory scene analysis.
B) I would like to learn more about this because I'm curious how difficult it is if there is a lot going on around the person, like a lot of activities and noise.
8. While reading this chapter I was thinking about music and speech and the intensity of it and how people perceive it who are in different places. I also thought about concerts and the attack or intensity of those sounds.
9. Terms: Source segregation, auditory scene analysis, perceive, sound, pinna, ear canal, attack, decay, auditory stream segregation. cone of confusion, intensity.
1a & b) What did you find interesting? Why? The first item in this chapter I found interesting was the section on interaural time differences (ITD). This is defined as the sound difference in time between a sound arriving at one ear versus the other. If the source of the sound is to the right ear, the sound will reach the right ear first. This can also be used to locate the angle of a sound source, which is called azimuth. I found it interesting because I like knowing the mechanics behind the information I learn.
2a & b) What did you find interesting? Why? The second item in this chapter I found interesting was auditory localization, or sound localization. This chapter opens with an example when we are outside in the dark and hear something such as an owl hooting, most of the time we can locate the owl without even seeing it, we can simply piece together the information to its’ location. The book explains that the theory of auditory localization is very different from visual object localization. Seeing the owl it would be very simple to know if it was to your left or right; but not being able to see it and only determining its location by its sound is another story. I find this interesting because it is a system that we use very often, even without us knowing it. We hear sirens, bells, yells, etc. coming from somewhere when we are walking to class or just out and about; we need to quickly locate them even if they weren't yet in our visual field.
3a & b) What did you find interesting? Why? The third item in this chapter I found interesting was the structures of the ears (inside/outside) and the brain are not the only factors in determining how one perceive the location of the sound, the size and shape of the head and torso are also important factors in determining which frequencies reach the ear easiest. Furthermore, the intensity of each frequency varies according to the direction of the sound, and those varieties are cues (for us) to locate the where the sound comes from.
4a & b) What one (1) thing did you find the least interesting? Why? The one part of the chapter I found least interesting, or at least more complicated to read was the inverse square law. The book defines it as a law that states the intensity has an initial decrease which is much faster than the distance increasing. The formula that is stated in the book is, the increase of distance squared is equal to the decrease in intensity. I did not find this interesting because it is a formula! I have never been much for formulas of any kind. I’m confused by them a lot more easily!
5) What did you read in the chapter that you think will be most useful to in understanding Sensation/Perception? The section about complex sounds will be the most useful in understanding Perception/Sensation because understanding the different complex sounds helps with the identification of other types of frequency. Knowing the differences between ITD and cone of confusion and how that fits in with complex sounds will be crucial as well. Most of us take for granted our auditory system; I think knowing about all the aspects of the next FEW chapters will help us accomplish that.
6) How, in what ways, does this chapter relate (build on) to the previous chapters? This chapter builds on previous chapters because it goes into more details on the internal functions of the ear. It talks about how we measure sound sources and what sense we make of it. It talks about the different levels of intensity and how we measure intensity. This chapter, and I’m sure the next one too, will just keep giving us more details from the previous chapter, “painting” a better picture for us.
7a & b) What topic would you like to learn more about? Why? I would like to learn more about the section that covered when sounds become familiar. It was very interesting to read we can become familiar with a sound and then recognize it in a split second when we hear it after our initial exposure. I want to learn about how/why this occurs and what parts of the brain are active when we actively remember a sound. I would like to know if there are any fMRI’s that have taken this information, or what other devices are out there that measure this.
8) What ideas related to what you were reading (what did you think about) did you have while reading the chapter? While reading this chapter, I was mostly thinking about how I have never really thought about how I am able to listen where a sound is coming from. As I am writing this in my sunroom, the windows open, I can hear traffic. It is very hard to tell which way a car is traveling because it bounces off so many objects. I would like to more about how someone can predict where that sound is derived from. Just like a gunshot in the woods, usually that person has no clue where it came from, why? It has always been something that I have thought about no mater the topic of study but I had seem to think about it much more during this chapter and throughout this assignment.
TERMS: interaural time differences (ITD), azimuth, auditory localization, sound localization, visual object localization, inverse square law, frequency, auditory system, intensity, perception, sensation
Timbre is interesting so that’s my topic. It’s kind of cool that our auditory system can discern two sounds that have the same loudness and pitch. Timbre also known as tone quality, is the quality of a musical note, sound, or tone that distinguishes different types of sound production, such as voices and musical instruments. The physical characteristics of sound that determine the perception of timbre include spectrum and envelope. Timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness. For example, a guitar and a piano play the same note at the same loudness. Everything is the same, but you perceive them differently, you are able to differentiate between the two. Timbre is conveyed by harmonics and other high frequencies. Timbre is mainly determined by the harmonic content of a sound and the dynamic characteristics of the sound such as vibrato and the attack-decay envelope of the sound. Some report that it takes about 60 ms to recognize the timbre of a tone, and that any tone shorter than about 4 ms is perceived as an atonal click. The ordinary definition of vibrato is periodic changes in the pitch of the tone, and the term tremolo is used to indicate periodic changes in the amplitude or loudness of the tone. So vibrato could be called frequency modulation and tremolo could be called amplitude modulation of the tone. When it comes to the voice, or the sound of a musical instrument, both are usually present to some extent. Vibrato is considered to be a desirable characteristic of the human voice if it is not excessive. It can be used for expression, and adds richness to the voice. If the harmonic content of a sustained sound from a voice or wind instrument is reproduced precisely, the ear can readily detect the difference in timbre because of the absence of vibrato.
Loudness and pitch are easy to describe because they correspond well to simple acoustic dimensions, which we learned are amplitude and frequency. However, the richness of the complex sounds is dependent upon more than simple sensations of loudness and pitch. A piano and a guitar might play the same note at exactly the same loudness, but a person would have no trouble discerning that two different instruments were being played. The perceptual quality that differs between these two musical instruments, as well as between vowel sounds like in the words hot, heat, and hoot, is referred to as timbre. Differences in timbre between musical instruments or vowel sounds can be estimated closely by comparison of the overall spectra of two sounds overlapping. That means timbre must be involved with the relative energy of spectral components, and perception of timbre depends on the context in which a sound is heard.
The way a complex sound begins, is called the attack of the sound, and ends, called the sound’s decay, is another important quality. Auditory systems are sensitive to attack and decay characteristics. Audible sounds have a natural attack and decay curve, is called the envelop. During attack, the volume of the sound increases, and during decay, the volume decreases. When a sound is reversed, the attack becomes the decay and the decay becomes the attack.
Terms:
timbre, auditory system, loudness, pitch, sound quality, harmonics, frequencies, tone, harmonic content, vibrato, attack, decay, envelop, tremolo, frequency modulation, amplitude modulation, sustained sound, acoustic dimensions, amplitude, complex sound, fundamental frequency, spectra, spectral components
Sources:
http://en.wikipedia.org/wiki/Timbre
This link gives a good idea of what timbre is, definition
http://hyperphysics.phy-astr.gsu.edu/hbase/sound/timbre.html
This link and the one below helped me put the ideas together, I think it’s because of the visuals, it really helps
http://www.mat.ucsb.edu/~b.sturm/MAT201A/presentations/Fri/OhnandPark.pdf
same as above
this goes on wednesday blog
I emailed Prof. M about the Wednesday blog but still have yet to receive an answer from him. So I am just going to post it here.
Initially I wanted to do some research on auditory scene analysis, but I could not find a lot of information, and on top of that, a lot of the information I found are very hard to digest, because they are mostly from research papers written by geniuses. I looked into the textbook to find other topics to do research on, and perceptual restoration caught my attention. I was able to make the connection between the topic and similar issues that our vision encounter – I remembered what I learned in the cognitive class, that our brain pretty much predicts what we see and makes us see what it wants us to see, and that there is a gap in the eye (where the nerves from the brain connect with the eyes), and our brain constantly fills up what is not seen due to the presence of that gap. From what I’ve read in the textbook, it seems like the brain is doing the same thing to our auditory system – it hears what is to be heard, but decides to keep the sound continuous despite the interruption, so that it can make sense of the world with less effort (perhaps this is why prejudice and stereotypes are inevitable – our brain wants us to know the people even before we interact with them. Our brains are lazy).
Hearing, just like vision, is constructive. The brain compensate with missing sounds and make us think that we hear 100% of everything, when in fact a lot of it is reconstructed by the brain so the world makes more sense as it seems more continuous. Just like vision, we fill in the gaps that are missing due to an interruption of the flow, and it is called perceptual restoration, or sometimes called phonemic restoration effect. When the effect is strong, individuals may not even be able to locate the interruption. Imagine talking to a friend and a person walks by and coughs – perhaps you did not register the person in your visual field, and your brain wants to make sure that what your friend says is making sense, it hallucinates a little and fill in the gap. What you hear instead of the gap is what your brain interprets as the most appropriate replacement for the interruption. Therefore, meaningful sentences can stay intelligible after being interrupted by a noise – and perhaps, adding noise can improve comprehension in some cases.
The context of the world at the time of the brain hallucinating missing sounds is an important factor in deciding what our brains want us to hear. Back to the talking to a friend scenario, the missing sound will be filled with something that will compliments the context of the story she is telling you, instead of something that the brain comes up randomly, and is unrelated to her story. This happens because if the brain does not take into the account of the context of the world around you, the filled-in, hallucinated sound will just make the world even more confusing than when it stays missing or interrupted.
Which part, or parts, of the brain is/are responsible for this? The answer is the thalamus and the auditory cortex. The hallucination is believed to be a result of top-down processing of the auditory system; speech is thought to be done through bottom-up processing where already existed data is used to generate information. When talking to your friend, their speech attacks the auditory system, sent to the auditory complex, then is processed through Wernicke’s area to process the information the ears just received. The top of the language processing system is thought to be the location where processing system takes place.
The restorations are thought to be correlated with language skills, which let the listener find the right word choice to fill in the missing one. People with mild hearing impairment perform at the same level as a normal listener is a test for the effectiveness of perceptual restoration; those who suffer from more severe hearing impairment could perceive almost no perception and failed to identify the missing phonemes.
http://en.wikipedia.org/wiki/Phonemic_restoration_effect
this page does not provide as much information as I would like, but it still gives me a rough idea of what I am doing research on. Reading this page allows me to learn a lot about the research aspects of the concept of perceptual restoration.
http://www.jneurosci.org/content/32/23/8024.full.pdf+html
This is a really hard research paper written by one of those psychology geniuses. It took me a long time to understand the general idea of the research people had done and how researchers explain the phenomenon.
http://www.haskins.yale.edu/sr/sr107/sr107_11.pdf
These experiments did not explain much, but from what the author interpret, I learned a lot about some of the definitions and explanations in re this topic. It helped a lot because I am able to obtain general knowledge in regards of perceptual restoration. If I had spent more time studying the experiments, perhaps I would be able to learn more about the details of how the brain proceeds to fill in gaps of perception.
TERMS: sensation, perception, perceptual restoration, auditory scene analysis, hearing impairment, thalamus, auditory cortex, top-down processing, bottom-up processing,